One of America’s great, mighty geniuses of film, William Finley was an on-screen personification of lechery, desperation and obsession.

From the desk of Popol Golem, Chief Editor: It was a while ago now, I think, time slips faster and faster sometimes, and I have a greater...

An art heist, the Archibald Prize winner, and a cocktail or three.

Thinking of getting wacky on the weekend? Eager to make the rounds at your favourite cocktail bar?

Antidotes to an existential crises, and painting nudes.

Stamp This Book & Other Titles takes a look at the titles recommended by artists featured throughout Golem Quarterly Review.

Larousse Gastronomique, first published in 1938, remains a manifestation of mountainous ambition.

Making stuff and moving forward—we have a quick chat with Henry Rollins.

Catalonia has always been a region (or country depending on who you talk to) that has its own identity, language and food.

The NGV has taken it upon themselves to host a smorgasbord exhibition of colour this December. Be sure to wipe that drool from your mouth.

Johan von Huff examines a “monstrous batch of songs” that make up the punter anthems.

For all ye’ faint of heart, those be the vegetarian and vegans, proceed with caution to the NGV this season.

Today, we head over to the Strasbourg where a great hubbub rises.

Witness Hemingway go up against his biggest critics—a haughty circle of literary matadors foolish enough to taunt the expat bull.

In this article, art meets architecture and goes on a double-date with transport and industry. It’s a match made in railway heaven.

It’s no easy feat asking someone to sit still while you paint their portrait—like it’s the 1800s or something.

Come for the food, stay for the discourse.

Calling all birdwatchers! Grab your binoculars and head to the Art Gallery of New South Wales for a Brett Whiteley exhibit.